COMPOSITION
Original music for stage, film, and narrative work, shaped around the emotional architecture of each project.

ABOUT / PRACTICE
A composer working across stage, film, performance, and spatial experience—beginning with listening to the story, the place, and what remains unspoken.
01 / LISTENING
Before choosing an instrument or a form, Masashi begins by listening—to the story, the place, the people within it, and the atmosphere around them. Composition, performance, experience design, and visual direction are not separate departments of his practice. They are different ways of shaping how a work is encountered, felt, and remembered.
02 / PRACTICE
Original music for stage, film, and narrative work, shaped around the emotional architecture of each project.
Guitar, conducting, and live collaboration, with the performance responding to the room and the moment.
Sound and structure developed around how a space is entered, encountered, and remembered.
Visual language considered alongside sound so that image, space, and timing belong to the same experience.
03 / ACROSS FORMS AND PLACES
2025 / PARIS
Original music for a fashion film, built from the mechanical rhythm and recorded sound of a working textile factory.
EXPLORE THE PROJECT2024 / HIROSHIMA — NEW YORK
Stage music shaped through research in Hiroshima and presented in New York.
EXPLORE THE PROJECTBOSTON
Experience design, music, and visual direction for a five-seat immersive dining space.
EXPLORE THE PROJECTCOMPOSER-LED PERFORMANCE
Co-composed with Da-ma, then orchestrated and conducted by Masashi Hasegawa.
VIEW PERFORMANCE
04 / BIOGRAPHY
Masashi Hasegawa is a Boston-based composer and guitarist working across stage, film, live performance, and spatial experience. His projects include original music for a fashion film presented during Paris Fashion Week, stage music developed through research in Hiroshima and performed in New York, and the music, visual direction, and experience design of BOSTON RAMEN. He also performs as a guitarist and conductor. Across these forms, he begins by listening to the story, the place, and what the work needs.
CODA / COLLABORATION